The opening moments of an album often signal its intentions at large, introducing the world and energy of the project. In this Jorja Smith review, it is immediately apparent that her third studio album, What Are the Odds, is a work of focused intent. The record begins with ‘For Life,’ a track driven by drums that are sharp, crisp, and undeniably designed for movement. Smith herself has noted that she wants this new collection of music to “get the world skanking,” a phrase that captures the rhythmic vitality of the project.
Throughout her career, Smith has often faced well-meaning comparisons to Amy Winehouse. However, she has always been at her most effective when embracing a sense of playfulness and high energy. Her 2023 album, Falling or Flying, was created in the quiet of her native Walsall following a period of intense public scrutiny and body-shaming. While that record maintained some of the soulful balladry of her earlier work, its standout moments—such as the vibrant lead single ‘Little Things’—pointed toward a future found on the dancefloor.
That evolution toward sonic liberation is fully realized on What Are the Odds., which stands as Smith’s most accomplished work to date. Working exclusively with the acclaimed producer P2J, who has previously collaborated with the likes of Stormzy, Beyoncé, and Burna Boy, Smith dives headfirst into the sounds of UKG, funky, house, and 2-step. This shift is a conscious one; Smith has stated that she no longer wishes to “skank to a ballad,” effectively drawing a line between her past and this energetic new chapter.
Even when the lyrics delve into heavier themes, such as the disillusionment of fame and the pressures of the music industry on the title track, the production remains propulsive. Smith’s approach on this album is to process discomfort through rhythm, ensuring that even her most introspective moments are danceable. This sentiment carries into ‘What’s Done is Done,’ a track that serves as a playful nod to those who might have expected her to remain stagnant in her sound.
The title of the album, What Are the Odds., is a statement in itself. By omitting the traditional question mark, Smith presents the phrase as a definitive declaration of complete freedom. It is a bold, rhythmic, and deeply personal record that confirms her status as one of the most versatile artists in the contemporary UK scene.