As the highly anticipated production of Hamlet: Hail to the Thief prepares for its London debut, new exclusive imagery offers a rare glimpse into the rehearsal process. The production, which seamlessly integrates the narrative of Shakespeare’s tragedy with the sonic landscape of Radiohead’s 2003 album, is set to transform the Barbican Theatre into an immersive theatrical experience.
The project is a collaborative effort between Radiohead frontman Thom Yorke and Olivier Award-winning directors Steven Hoggett and Christine Jones. Following a critically acclaimed run in Manchester, which earned a five-star reception from critics, the show will officially open in London on October 31, 2026, with performances scheduled through January 23, 2027.

Captured by photographer Alex Lake, the new photography highlights the intensity of the creative team at work. Samuel Blenkin, reprising his role as the titular prince, is seen alongside Yorke as they refine the production’s unique blend of live music and dramatic performance. The staging aims to bridge the gap between classical literature and contemporary experimental rock.

The ensemble cast features Ami Tredrea as Ophelia, Paul Hilton as Claudius/Ghost, and Claudia Harrison as Gertrude. They are supported by a full live band, including Ed Begley, Tom Brady, Jenny Clifford, Joe Downard, Shane Forbes, Meg Hill, Tom Knowles, and Adam Martin. This musical collective is tasked with reinterpreting the Hail to the Thief album to serve the emotional beats of the Shakespearean text.

Reflecting on the upcoming residency, Thom Yorke expressed his excitement about bringing the work to a wider audience. “I’m into finally bringing ‘Hamlet Hail to the Thief’ to London, and to the Barbican of all places,” Yorke stated. “It is fascinating and very strange to me how this came to life and how it has worked. When it revealed itself to us over time I was shocked, having never had this kind of experience before. I am happy for it to be seen by a wider audience in such an intense space.”

Critics have previously described the production as a “stunning collision of worlds,” noting that the ambitious project manages to breathe new life into the classic play. The synergy between Yorke’s compositions and the directors’ vision creates a “sky-scraping beauty” that resonates with both Shakespeare enthusiasts and Radiohead fans alike.

